(Photo: Eder Pozo Perez)
Deadly, the clock on the nail on the wall
a constant reminder of the seconds spent and going fast
the world is trembling underneath the weight
of dissolution antipathy for itself
Murder, is a broken tail light
in the name of Justice men are thrown from rooftops
say her name, say her name, say her name is chanted
However, Destiny is no longer a child – but a wilted bitter old woman
angry that bitch down the street with the four kids
is getting WIC when she can’t get a raise in her stipend
as if it’s the mother’s fault and not the ak47 that took her husband away in some desert far from home
Fear, is the preacher rising like a star
who’s teacher was geography that informed his philosophy
and now power is the lust between his legs
with a wolfish grin and a blade in his eye he ushers the flock of poorer than he
who foolishly pay him to beat them in the face with their own humanity
before he drives away in his Mercedes Benz.
Hate, is the word passing the lips of those
who empower long dead cowards who’d set their grandparents’ world on fire
when people stand up, the exorcists, trying to banish the demons
that try and cast them back to the void, the pits of hell, from whence they came
become the aggressors in the twisted tales told on conservative news.
Armageddon – is the revelation
of self interest, Ayn Randian theology
of me, and mine, and thee, and thine
no money? Well die.
Your problem, not mine
Deadly, the clock on the nail on the wall
a constant reminder of the seconds spent now pounding like a hammers’ blow
suddenly, deftly, drawn out
where anxiety is riddled not in the knowledge of the passing of time
but for when it all comes screaming to an end.